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I lost myself as a girl. And I found myself as a woman.


Dedicated to my father, John. Happy birthday daddy-o. You always reminded me of who I really was.


This is a story about a girl who lost herself, and the woman who found her.

When I was a little girl, I had dreams about another land, and another time. There is one that sticks with me, after all this time. I was young, maybe 5 or 6, when I dreamt that I was in my bed of cabbage roses and a cool light slanted across my eyes, awakening me. I yawned and rubbed my tired eyes, sandman blessings, and walked to the window. And there she stood. A woman with milk white skin, startling blue eyes, and silver hair that fell past her waist. She rode on a crescent moon, and her smile was full of tenderness as she held out her hand to me. In my mind I heard the words: Come with me, now. See who you are. I gripped her hand with all the trust of the young and naive, and I let her fly me into shifting constellations and midnight pools. I morphed, as we rode: gold skin, curving limbs, gossamer wings. I grew older with every dip of my finger into the blueberry wine at my feet. We came to an island of creatures and celebration. I danced myself breathless, met a mortal warrior who captured my heart with a mere glance, and then watched in despair as the island was torn apart by some freak explosion. I tumbled once more through space and time, bereft at what I’d lost. I woke to a pillow, wet with my salty tears, and wondered if I might drown in that grief. It faded, but the dream never did.

That story, that dream, shaped me. 

I guess it makes sense that I was a bit of a misfit. A child with polyester wings on her back, assuring the world that the impossible was indeed possible, that she herself was Fey, that magic existed and that I had power over the wind, water and stars. I was a daughter of the moon, a handmaiden of Aphrodite, a faerie ripped apart from my true home. Yes, it’s no wonder I was bullied and picked on and prodded until I cried in my mother and father’s arms. Despite that, I had a good childhood. I had friends and parents that loved me, and loved one another. I had a sister who, although sometimes my enemy, still made life more fun and less lonely. It wasn’t all tears and sadness, pain and vulnerability. I had the ocean at my feet, crabs in castles, riding on my father’s shoulders, listening to my mother tell stories of two faerie Queens, racing the kids on my street, climbing trees and throwing loquats at my younger neighbors (it was our own childhood war, and always fun). I know I was privileged – am privileged. I just felt…a bit apart, sometimes. I wondered if I’d left a piece of me behind on that island, in my dream, and if I’d ever see it again when I succumbed to slumber.

I eventually rallied the black sheeps around me, told them interesting or majestic tales, and in this way I found worth. They liked the way my tongue spun silver and gold, how my hands wrote out myths and legends with their names. But eventually they wanted real love, and real experiences, and I was this awkward beanpole with braces and chopped off blonde hair. I didn’t think anyone would ever love me, would ever travel to the ends of the earth for me, and I felt myself fading. When the bullies poked fun at my flat chest or my body that lacked curves, my strange eyes or the way that at 13 I was still talking about faeries, I retreated further into books and stories. These friends couldn’t hurt me. These friends would always be my comfort, even when I had nothing and no one else. I was lucky to have two friends that stuck by me: Laura and Julie. I would have lost it, and lost myself, without the two of them. And still, I read “The Encyclopedia of Faeries” in class and wrote about unicorns, curses and black knights (white knights, even then, seemed dull).

Until.

In my other book I laid this out as a fairytale: “once upon a time the ugly duckling woke and she was a swan.” In some ways it was both more simple and more complex. I cut my hair (early 2000s layers and swoop bangs; let’s be honest. we all had the same cut). I started smoking pot. Perhaps because of the pot I started dressing in a way that reflected my soul: leggings in tie dye purple, silky skirts, leg warmers, lace gloves. I used makeup (too much eyeliner; again, early 2000s girlies know) which made my green eyes look large and lustrous, my lips pink and luscious. I made new friends that guided me: Ryles and Alex. We rode around in the car, jumped into freezing pools with all our clothes on, drank wine with older boys, spent hours on photoshoots, crashed parties. And when the boys started looking at me, I preened. I loved the attention. I felt seen, desired, loved and accepted. That was always the thing: that longing for acceptance. I guess, once I had it, I was terrified to lose it. I was already losing myself when I fell in love for the first time.

(That’s another story. If you want that story, you’ll have to keep your eyes peeled for my memoir / poetry book. That one is all about love. This is not about love. Or, not about that kind of love.)

I liked being told I was pretty and funny and cute and interesting and smart – even if they didn’t mean most of those things, because they didn’t see those things. My social anxiety disappeared when I was drinking, so it became a crutch. And soon that crutch became an addiction. Addicted to affirmations, addicted to alcohol, addicted to attention. I morphed into different people, tugging at my skin until I was someone else, shoving away my unpalatable emotions or ideas. I was “quirky” in a cute way, but I was so careful never to go beyond the bounds of that. When I did stray too far from normalcy, I got weird looks and side eyes. So I stopped.

I wrote a poem called “Dearest You” about my first love. It was about how, with him, the masks came down and I was myself again. But there came a time when the mask was affixed too firmly, when I was swimming in an amber river of Jack Daniels and I couldn’t find my way home, even with him. I threw myself into relationships. Or, when I couldn’t do that, I succumbed to sharp teeth and bruises in the slow, heavy darkness. I always smelled like whiskey, cigarettes and jasmine. 

When I got sober I started to unpeel the layers of graffiti and decay within me, to find the girl I was sure might still be there, angelite heart and rose quartz light. My nails were bloody, and I ached, but there seemed no end to it. No road that ended in a child with wings: me. 

I fell in love and got married. And then I left, even more broken and lost than before. It ripped my fucking heart out. A year later, my father died. I’ve never known a pain so great, a grief so sharp, and I followed his ashes to the ocean, nearly letting go, swallowed by riptides and the promise of a soft and quiet death. I sank into it. I didn’t think I’d ever crawl out. To be honest, I didn’t want to. 

I was bit by lupine fangs, became the monster within myself, howled at the moon in fury and agony. We battled one another. It was hate and love in equal measure. And I sank, further. Life seemed muffled and far away. Why even bother to find myself? Why did it matter? Sometimes I imagined my heart slowing to a stop, and it felt like – relief. I was haunted and I just wanted the demons to stop screaming: You idiot, you lost one, you fucking bitch, you traitor, you fool. You’re worth nothing. You are nothing. Death would be a release. You are a burden. You are hateful and cold. You are nothing. You are nothing. You are nothing…

I left the Underworld. 

Eventually. 

I got burnt, and scarred. I was patched up hastily and those wounds still ache with the autumn rains. But I got out. It took countless hours of therapy, screaming into my pillow, sobbing as I rocked back and forth and wept for my father, pages of journals I then ripped out and fed to the hungry flames. It took a ray of light in my room that wavered across the bed, inspiring me to take photos. It took dressing up as Aphrodite, Persephone, Titania, Mab, and taking photos that filled me with life. It took setting up my altar and chanting my blessings. It took dozens of books about my craft and my spirituality, sachets of lavender, amethyst and obsidian in my pockets, tarot card decks that roared truth (especially when I didn’t want to hear it). It took saying goodbye. It took screaming out show tunes in the dead of winter and howling with freedom, this time. It took scrambling over jungle gyms in the soft night of spring. It took meditation and shadow work.

And I still fuck up, and hurt people, plenty.

But… this is who I am. This girl I lost, what, 18 or 19 years ago? Except I’m not a girl anymore. I’m a woman with numinous eyes, jade, that have peered into that Void and come out whole (albeit a little changed, perhaps ever so slightly askew). I’m not a porcelain doll. I’m not a flawless Fey. I’m not the heroine of a romance novel (though I continue to write mine, happily). I am a Chaos Witch, a daughter, a friend, a lover. My hair is tangled, I trip over my own two feet dozens of times a day, I have curves that it’s taken me years to appreciate, and bare skin that yearns for more tattoos. I’ve got a long way to go before I’m my Highest Self, but that’s what life is about. Part of it anyway. I love love, as I always have, and I chant to Venus, dancing in soft fabrics of pink and gold. The Fey chime bells in my ears as I drift off, with a smile. I write this blog because my dream is to touch people with my words, to shake them up and change them, a beautiful metamorphosis.

This story, my story of losing myself, is comprised of so many individual stories, I didn’t know where to start: alcoholism, a fateful night that made me stop drinking for good, the boys I loved, the men I left, over a year in the Underworld, dragon skies, faerie goodbyes. But I’ll start here.

This is me.

I’ve found myself again.

So, hello. It’s very nice to meet you.


5 responses to “I lost myself as a girl. And I found myself as a woman.”

  1. I’ve probably commented too much here already, but this post feels like it is inviting a gazillion responses. So many things I almost want to say… resident of the almost, the between places that I am. It speaks to that… to a life between the lines…

    and the wings are cool, btw.

    Liked by 1 person

      • I hope this isn’t too long as a comment. It’s called “A delicate rewrite”, and it goes back to when my mother (who helped show me who I am) was alive. It’s one of the pieces in a little collection I managed to put out last year…
        and it says a bunch of things I guess I would like to say right now…
        I do hope you like…

        Each day, Sketchy rubbed out a few more of her colours.

        I knew this,
        way before the story broke.
        I knew this
        because I died a little too,
        every time she came back home,
        turned her key in the door
        and flipped my heart.

        Each day, as people tore her off a strip,
        took her down a peg
        and gradually hacked away at her fragile foundations,
        a little more of her shading began to unravel,
        unstitch
        and generally discombobulate.

        I knew this
        because I cried too,
        every time she shut the closet door
        and curled up
        in my shadows.

        Sketchy never said the right thing,
        or did what other people thought she was supposed to do.
        They said so on all the forms
        and in all the classrooms
        and the kitchens
        and shops
        and offices
        and garages –
        and all the proper places
        where all the proper colours were made
        and then tested
        to make sure they stood up to argument.

        Sketchy never seemed to achieve anything
        or win anything
        (besides scoldings
        and sneers
        and the superior smirks
        of people who loved having soft targets
        to laugh at).
        The only thing she ever seemed to do
        was slink away
        and disappear.

        What nobody else noticed,
        outside
        the lamplight
        that held us tight against the night,
        was just how completely she was vanishing.
        They couldn’t see the soft clockwork eroding inside her,
        the small dead cogs
        in my hallway…
        They couldn’t see the unwanted colours dissolving in her tears,
        drowning in mine.

        Without even realizing it,
        Sketchy was becoming quietly brilliant at the strange art of self-erasure.
        With slow,
        deliberate strokes,
        she was
        rubbing away the very essence of her soul –
        until only a few stubborn strokes of core Sketchy remained,
        floating in a kind of aimless abandon
        like shells caught in the tide.

        I used to love the tide back then –
        the last place I could stand
        with any semblance of shelter
        to
        cuddle my nightlit sister through the storm
        and
        fill all the cracks with surf and splash
        and wave beats,
        drummed from the fingers of faraway shores.

        Those were the shores
        on which Sketchy
        revived,
        rekindled in her driftwood mask,
        stumbling home
        through the sad world that lived by default behind Sketchy’s eyes,
        where everything felt lost and unwanted until it had been given a name…
        but somehow,
        nothing seemed right
        until all the names and labels had peeled away.

        Sailing home
        through the downtrodden oceans in my soul,
        Sketchy began to chart the stars
        I’d missed –
        and to navigate by them.
        That’s when she knew
        she wasn’t erasing anymore.
        She was painting herself…
        weaving herself home through new currents…
        charting her way to new shores,
        where her shaky voice might at last have real stories to tell.

        If only she could find the words.
        If only she could stir mine,
        and build some moonlight in this vast
        but faithless
        little heart.

        If only we both hadn’t spent so long
        fighting fires between the lines
        on which other people wrote their meanings.
        If only there was a voice for things unspoken.

        There were still so many subtle terrors in this place of churn and brushstrokes.

        But at least now,
        when people meet Sketchy,
        or me,
        or one of the faces we dance in
        (somewhere lost between the two),
        even if they don’t quite understand the colours,
        even if they don’t believe the shell patterns in our eyes,
        they’re never left in any doubt
        that there are still masterpieces waiting, somewhere out beyond our shoreline.

        Liked by 1 person

      • I love this piece. It evokes exactly what I was trying to say in mine, and so expertly and beautifully done as well. Thank you for sharing this with me. And I’m glad Sketchy didn’t erase – but painted.

        Liked by 1 person

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